May 2026
静止风景里模糊的一帧
One blurry frame in the still landscape
——
Tracklist
01. Kairos - Laura Misch
02. Mindflower - Now Always Fades
03. backseat - Fred again..,The Japanese House, Scott Hardkiss
04. Let’s Make Out - RIP Swirl, Ydegirl
05. Diary of a Rose - Mega Bog
06. Pipe (with Vashti Bunyan) - Sega Bodega, Vashti Bunyan
07. Show Me - Louf
08. The Dream - BEA1991
09. No-One in the World - Locust
Bonus. Pourquoi tu me fous plus des coups? (Radio Edit) - An Luu
——
四月倒了好几次春寒，毛衣脱了又穿
两周前我还在晨雾里沿着小溪遛狗
反复听卧轨的火车25年底发的新歌《在河边找甘草》
叮叮咚咚，窸窸窣窣，步子轻快
刮了几天南风后，夏天猝不及防地来了，月底编辑的歌单突然让我烦躁了起来
于是五月初，又反复编辑了好几次，终于在假期结束后整理了出来
歌单开始于Laura Misch一首无比惊艳的新作“Kairos”
她在海浪与岩石的永恒互动中吹奏，消弭了曲的两端和和线性的时间
然后走进属于trip-hop，shoegaze，dreampop和indie electronica的暧昧世界
在2020年代给4000万像素的高清照片加上模糊滤镜，寻找早期互联网的纯真
或者像Sega Bodega和BEA1991，在梦和水中捕捉语词
最后，只有巴黎越南裔女人An Luu真正来自过去，留下寥寥几首曲子，在21世纪被重新发现
以上，请日落后食用，入夏快乐。
April brought several late cold snaps—
the sweater came off, then went back on again.
Two weeks ago I was still walking the dog through morning mist along the creek,
listening on repeat to Finding Licorice by the River,
a new track released at the end of 2025 by Railway Suicide Train.
Ding-ding-dong-dong, rustle-rustle—
my steps light and quick.
Then after a few days of warm southern winds,
summer arrived without warning.
The playlist I was editing toward the end of the month suddenly began to feel restless.
So at the start of May, I revised it over and over again,
until finally, after the holiday ended, it came together.
The playlist opens with “Kairos,”
an astonishing new piece by Laura Misch.
She plays into the eternal conversation between waves and rocks,
dissolving both the boundaries of the song
and the linearity of time itself.
From there, it drifts into that ambiguous terrain
shared by trip-hop, shoegaze,
dream pop, and indie electronica—
a 2020s attempt to place a blur filter
over forty-megapixel high-definition photographs,
searching for the innocence of the early internet.
Or like Sega Bodega and BEA1991,
capturing language somewhere between dreams and water.
In the end, only the Parisian Vietnamese artist An Luu
truly seems to come from another era,
leaving behind only a handful of songs
to be rediscovered in the twenty-first century.
Best consumed after sunset.
Happy beginning of summer.
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Listen on:
[ Spotify ]
[ NetEase Cloud Music ]
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